Thank you so much Natasha Yim for inviting me to the Writing Process Blog Tour. It’s fascinating to learn about each writer’s creative process. Click the link to Natasha’s blog and learn more about her process. Then follow the links backward for some great insights on writing.

But first, read my responses to the writing process questions.

1) What Are You Working On?

Currently I’m writing a middle grade fantasy chapter book for Goosebottom Press, but I’m sworn to secrecy on the exact subject. Let’s just say it’s about a really feisty girl with the power to change the universe. I’m also writing another play, this time set in the 1980’s. This new play is more dramatic than my previous two plays, but will still have plenty of comedy.

2) How does my work differ from others of its genre?

Writing for middle grade readers is a new adventure for me, one I’m really enjoying. After reading several middle grade books to familiarize myself with the language and nuances of the genre, I’ve learned that middle grade readers are more savvy and sophisticated than I realized. Your average 11 year old loves a scary scene. Maybe we can thank Harry Potter for that. I can’t really say how different my work is, because I’m still learning. All I know is that I love writing for this age group and hope to write more books.

Now, if you want to ask me about my plays, the number one thing that makes my work different is that I typically write more parts for women actors than men. It is a common complaint in the theater that plays seem to be written for and about men. Unfortunately there are far more actresses looking for parts than actors, so competition for good parts is horrible. I decided to do something about that. Plus, having a background in drama helps me create plays that provide theater companies what they need: parts for women and simple sets. Most of my plays take place in one setting, which means a theater company can save money on scenery design, or go full out on one set.

3) Why do you write what you do?

When I was a child, Zilpha Keatley Snyder was my favorite author. I devoured her books! When I grew up and started writing, I longed to write for that age group (middle grade) and explore some of those darker subjects. Now I’ve been given the opportunity to do so.

I started writing plays because I’m lazy. Writing description is hard for me, but dialogue is easy, so I followed my strengths and discovered I can create great stories with just people talking. And it helps me finally use my BA in drama.

4) How does your writing process work?

Typically, I start with a situation. I’ll get an idea about people in a setting and one of them wants something from the other. But at first, I don’t know who the people are. So I’ll start writing the scene, just letting the language lead the way. Suddenly, one of the characters will take center stage and her desires will become clearer. I’ll hear her voice in my head and once I have that, the plot develops. Now the real writing can start. Occasionally I might discover that the character I’m following isn’t actually the main character. A different character will take charge and the story might go a direction I didn’t imagine. How do I keep any control over this chaos of my imagination? By focusing on my original idea, that one scene that started it all. If I write too far from that original point then I know I have a new story and I have to decide to pursue it, or go back. But generally, the first image is so strong it guides me.

I don’t like too much of an outline at first; I like to follow the characters. Once I have a very clear idea of who all these people are and what they want,  I’ll plot the scenes. Ultimately, there has to be a story, not just characters interacting.

Before I even brush my teeth, I write in the morning for an hour. If I start doing anything else before I write, I won’t write at all that day. I’m also a mom and a publisher, so those two jobs take a lot of my time. If I say, “I’ll just start the laundry before I write,” I will start doing other things “for a minute before I write.” Then my writing time is gone. Let the laundry wait. Write!

The blog tour continues on June 9th with writers Shannon Drury and Kirsten Imani Kasai. Follow the links in their bios to visit their websites and next week you can read their answers to the Writing Process questions too. 

SHANNON DRURY is a writer, at-home parent, and feminist activist. She writes a regular column for the Minnesota Women’s Press and served six years as the president of Minnesota NOW. Her book, The Radical Housewife: Redefining Family Values for the 21st Century, will be published by Medusa’s Muse Press August, 2014. She lives in Minneapolis with her family.

KIRSTEN IMANI KASAI writes horror, erotica and sci-fi/fantasy. She is the author of the novels “Ice Song” and “Tattoo” (Del Rey/Random House), “Private Pleasures” (Renaissance), and “Rhapsody in Snakeskin” (Renaissance), a collection of poetry/short fiction. She is the co-founder of the horror/spec fic literary venture “Body Parts Magazine.” Her experimental prose/poetry piece, “mice,” will be published in the spring 2014 issue of Canada’s “Existere Journal.” In May 2014, she participated in a 10-day artists’ residency and festival in Romania, where she dined with the mayor of Borsec and read her locally-inspired poem “The Truth about Decay in Transilvania” in English and Romanian. She’s recently completed a poetry chapbook “The Atmospheric Mysteries of a Steaming Corpse” and is the recipient of the Anitoch Los Angeles Library Research Prize for her critical paper “Redefining Utopia: How Feminist Utopian Literature Can Serve as a Model for Creating Workable Futures.” Originally from Denver, CO, she lives in Southern California with her children and her partner. Visit her at www.IceSong.com and www.facebook.com/kirstenimanikasai.

And for fun, write your own responses and post them here as a comment, or on your own blog. I’d love to learn more about your writing.